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Della Magnificenza e d'Architettura de' Romani (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London)

Giovanni Battista Piranesi

1761, 1765

Entombment of Christ
Domenico Cunego
1775

Lot and his Daughters, plate 36 from "Schola Italica Picturae"

Domenico Cunego

1771

Saint Joseph of Cupertino, flying overhead, with a woman fainting at left

Domenico Cunego

1745–1803

The works in architecture of the late Robert and James Adam, Esqs., complete in three volumes, containing plans, elevations, sections, and detail of the principal buildings, public and private,

James Adam

1822

An illustration of Psalms 46.6, with Christ at center ascending surrounded by angels holding instruments of the Passion, after a painting (ca. 1625) by Giovanni Lanfranco in the Sacchetti Chapel, San Giovanni de' Fiorentini, Rome

Stefano Coppa

1776

The Agony in the Garden, Christ at top with arms outstretched towards an angel holding a cup, the disciples asleep below, after a painting (ca. 1625) by Giovanni Lanfranco in the Sacchetti Chapel, San Giovanni de' Fiorentini, Rome

Camillo Tinti

1776

St. Mary Magdalen, plate 34 from "Schola Italica Picturae"

Domenico Cunego

ca. 1770

Aloysio Cunego

late 18th century

Sibylla Persica

Aloysio Cunego

1780

Providence, plate 27 from "Schola Italica Picturae"

Domenico Cunego

1772

The head of Mary Magdalene looking down to the right, in an oval frame, after Reni
Domenico Cunego
ca. 1745–1803

Portrait of Clement XIV, from "Trofeo o sia Magnifica Colonna Coclide..." (The Trophy or Magnificent Spiral Column)

Domenico Cunego

1774–79

Domenico Cunego

1770

Priam Redeems the Dead Body of Hector

Domenico Cunego

1775

The Works in Architecture of Robert and James Adams, Esquires. Volume I Containing the Five Following Numbers, viz. . .

Robert Adam

1778

Frontispiece: Portrait of Pope Clement XIII, from "Della Magnificenza e d'Architettura de'Romani" (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London)

Domenico Cunego

1761

Domenico Cunego

late 18th century

Apollo and Hyacinth, plate 33 from "Schola Italica Picturae"

Domenico Cunego

1771

The Virgin looking upwards with hands crossed over her chest, after Reni
Domenico Cunego
1776

The Origin of Painting

Domenico Cunego

1777

Sibylla Hellespontiaca

Domenico Cunego

late 18th century

St. Mary Magdalen, plate 29 from "Schola Italica Picturae"

Domenico Cunego

1772

Norandino and Lucina in a landscape with the ogre Orco feeling the fleece with which she has covered her back, plate 39 from "Schola Italica Picturae"

Domenico Cunego

1772

An outline of the fresco paintings by Michelangelo on the ceiling of the Sistine Chapel, Rome

Domenico Cunego

ca. 1790–1800

Truth triumphing over time, a young, half-nude woman reaching upwards and an old, winged man holding a snake below

Domenico Cunego

1777

Trofeo o sia Magnifica Colonna Coclide di marmo composta di grossi macigni ove si veggono scolpite le due guerre daciche fatte, da Trajano inalzata nel mezzo del Gran Foro eretto al medesimo imperadore per ordine del senato e popolo romano doppo i suoi trionfi (The Trophy or Magnificent Spiral Column of marble composed of large drums on which are carved the two Dacian Wars of Trajan, raised in the middle of the large Forum, erected in honor of the same Emperor on the order of the Senate and People of Rome after his Triumph) (1775-6); Columna Antonina (1776-9)

Giovanni Battista Piranesi

1774–79

Ganymede abducted by Jupiter, plate 22 from "Schola Italica Picturae"

Domenico Cunego

1770

A Man and Woman Embracing, plate 20 from "Schola Italica Picturae"

Domenico Cunego

1773

Galatea, plate 31 from "Schola Italica Picturae"

Domenico Cunego

1772

The Death of St. Cecelia, plate 32 from "Schola Italica Picturae"

Domenico Cunego

1772

St. Hieronymus, plate 35 from "Schola Italica Picturae"

Domenico Cunego

1769

Galatea, plate 8 from "Schola Italica Picturae"

Domenico Cunego

1771

An outline of Michelangelo's figures in the spandrels from the ceiling of the Sistine Chapel, Rome

Domenico Cunego

ca. 1790–1800

Orazione funebre in morte del Marchese Scipione Maffei detta nella cattedrale di Verona...Con l'aggiunta d'alcuni componimenti poetici d'autore veronese...

Marc'Antonio Pindemonte

1755

Lot flanked by his two daughters, one of them holding a decorated jug, after Reni
Domenico Cunego
1771

Orazione funebre in morte del Marchese Scipione Maffei detta nella cattedrale di Verona...Con l'aggiunta d'alcuni componimenti poetici d'autore veronese... (Verona 1755)

Marc'Antonio Pindemonte

1755

The Sun drawn in a chariot of four horses in the clouds

Domenico Cunego

1777

The Allegro, from Milton

Domenico Cunego

1768

Virgin and Child

Domenico Cunego

1772